It was back to my favorite Deep Ellum haunt, The Curtain Club, this night, where, just like the previous night, a killer lineup of bands had been assembled.
Olivine was one of those bands, and I missed the first bit of their set, because I was out on the patio talking with Paco Estrada, who would later play.
I had never seen the band before, though I had seen their singer, Jake Mai, when he opened for People On Vacation last year, shortly before forming Olivine. I enjoyed the music then, but it was obviously not completely rounded, since it lacked a full band.
That expansion, and the use of electric instruments made all the difference this night. What I did see of it was an explosive performance of pop/rock music. Bassist, Jorge Garcia, and lead guitarist, Casey Hollyfield, put on a dynamic live show, and Jake certainly did his fair share when he didn’t have to be stationed behind the mic. They played several songs off their debut record, “Drift”, and even at one point brought things down, when Casey, Jorge, and drummer, Joe Bortscheller, left Jake alone to do an acoustic song. For their final song, they did the title track itself, “Drift”, which is easily the best song in their arsenal.
Their music is extremely radio friendly, and mines that vein of pop/rock. Usually, that’s a style of music I try to stay away from, simply because it sounds so generic now. Every now and then, though you see a band that can pull it off well, and Olivine is one of those bands. Sure, it may not be groundbreaking, but it sounds good, and that’s what really matters.
Check out the “Drift” record in iTunes. And while they have no shows booked at the moment, keep tabs on their OFFICIAL WEBSITE to find out when they do.
After them was Erik Chandler, who’s probably best known as the bassist of Bowling for Soup, and this night was doing his first show with his backing band. It consisted of Doug McGrath (formerly of SouthFM) on bass and Taylor Young (of Dallas’s hottest country duo, The O’s) on drums, while Erik played the guitar. Now, practically his entire 34-minute set was originals from his upcoming record, meaning I can’t elaborate with song titles like I typically do. After their first song, Erik made mention of the record, talking about how good it is and acknowledged that he has been working on it for awhile. “…And trust me, y’all are all very thankful for it…”, referring to the album, which was self-described as being one of the best records ever. After another original they did a cover of Elvis Costellos’ “(What’s so Funny ‘Bout) Peace, Love and Understanding”. “…If I wrote this song, I wouldn’t be here right now…” said Erik before starting it. It was a great rendition of the song, and they kept it pretty spot on, with the exception that it sounded like it was more up tempo. Afterwards, Erik thanked Olivine for opening the show, and People on Vacation for putting it all together. “…You don’t get this much rock anymore…” he said, a statement I didn’t find entirely accurate, especially after the show here the night before, which boasted three bands who routinely headline the Curtain. Point is, rock is still very much alive in Dallas. Anyway, they did another song that was about Eriks’ first car, and upon finishing it, he mentioned how good it was to be back at the Curtain. “…This was the place of cutting teeth…” he said, speaking of the early days of Bowling for Soup (whose plaque still proudly adorns the “Wall of Fame” in the venue). He continued, “…It’s like a family reunion, ‘cause almost all the same people still work here…” They did a couple more originals, before doing another cover, which I was unfamiliar with. “…This is another one I didn’t write, but I sure wish I did…” Erik said. Periodically throughout the show fans had been buying them drinks, and at this point, someone handed Erik a shot, which he couldn’t identify. He hesitantly drank it, and while I don’t remember what it is, he said he usually didn’t get along with it. It was too late to do anything about it, though. Before their final song, Erik set it up by saying it was one everyone could all relate to. “…We all have that one cunt that really fucked you up…” he said. It was called “Tonight’s the Night”, and it really was the best song of their set.
I was sure it would be good, but still, the most I’ve ever heard Erik sing is adding the occasional backing vocals on various BFS songs, which makes it hard to truly gauge anyone’s voice. However, Erik’s got a good set of pipes on him, and sounded quite great this night.
The music’s really good, too, and for anyone who is a fan of BFS, you’re guaranteed to like his stuff.
Check out his FACEBOOK PAGE to stay up to date with his goings on, and expect his debut album to drop sometime this year.
Next up was the headlining band, People On Vacation, which is of course the side project of fellow BFS member, Jaret Reddick, and co-founded by another Dallas musician, Ryan Hamilton.
This was a big show for the band, because not only were they celebrating the release of their latest album on CD (it has been available digitally since late last year), it was also Jaret’s birthday show. Jaret pointed this out before they even began the show, and mentioned he probably wouldn’t make it through the night sober. Joining them for this full band performance was Linus Dotson, AKA Linus of Hollywood, on keys, and Jaret pointed him out to the crowd. “…My boo flew in for this show…” he said, and continued by saying that since it was his birthday week, if Linus peed on anything this night it would be completely legal. Yeah, all that happened before they even played a song, which was proof enough that this was going to be an unforgettable night.
They began with “Prettiest Girl In The World”, which surprised me a little, because the last times I had seen them it was more of the closer, or at least fell later in the set. The upbeat, happy tune the song carries made it work well as an opener, though, and immersed the audience into their music. Like his band mate that played before him, Jaret mentioned how good it was to be back at the Curtain Club. “…We just played here…” he said, adding it had only been three days or something, referring to their show here which had barely been a month ago. They then did another song from their newest record, “We Are The Lucky Ones”. “Why can’t we just skip to the good parts. Read through the last page before start. I’ll raise one hand to the heavens, I’ll use the other to cross my heart and hope to die…” Ryan and Jaret both sang, with drummer, Todd Harwell, adding the well planned beats, that dance in between each line. The crazy banter continued after that song, and while shouting out all the other acts on the bill, Jaret officially named Eriks’ band, calling them “Erik Chandler & The Prima Donna Motherfuckers”. They joked about for a few minutes, having the audience laughing right along with them, before eventually busting out another fan favorite, “Back To Being Friends”. Upon finishing it, Ryan was put in charge of entertaining the crowd, while Jaret put on some chapstick. Before he had a chance to say anything, though, Linus chimed in, saying he’s told Jaret before that he thinks he’s addicted to that stuff, and needs to quit using it. “…It’s funny, because while he’s telling me that, he’s over there smoking a cigarette…” he said, speaking of past cases. They briefly debated if someone even could be addicted to chapstick, before discussing how they were going to start their next song. “…You start it.” Jaret told Ryan, who proceeded to strum his acoustic guitar. I had never heard them start this song this way before, but those chords on their own sounded phenomenal. Soon, Linus started in on the keys, which confirmed it was “Alone with You”. That one’s still my favorite POV song, mainly because of that one line, “…Begging for a pardon like a subject of a warden, like I burped up something and swallowed it again…”. I still think that’s pure genius. When it ended, Jaret pointed out that Ryan was the “Where’s Waldo of St. Patrick’s Day”, as he did have on a striped shirt, with green instead of red. Soon, conversation switched to Ryan’s parents, with Jaret saying he didn’t know much about Ryan’s dad, except, “…He helps with the Holiday Salsa. And he likes to weld…”. This led Ryan to tell everyone the best advice he ever received from his father. “Son, if you’re going to be dumb, then you need to be tough.” According to him, that was the best advice he got, and Jaret countered it with his. “My dad didn’t want to have the sex talk with me, so he just told me, “Son, keep it in your pants unless you’re going to the bathroom.” “True story.” He added. When they got back into song mode, they did another happy song from their first EP, “She was the Only One”. During that song, and the past few, a women had been going around taking pictures of the band with her iPad, and at this point, Jaret pointed it out, saying something like, “…Steve Jobs would be rolling over in his grave if he knew the iPad was being used to take pictures in the pit at a rock show…”. Linus then proved his wittiness, ‘His iGrave.” Brilliant (and quite possible true). Ryan was persuaded to play a song he wrote for Linus during one of their UK tours, aptly called, “Linus of Hollywood”. All though short, it was pretty humorous, and not bad at all for something that, at one time, was probably quickly made up. Another song of Ryan’s (a legitimate one) followed, and it was the song about searching for love, “Lonely Fish”. “So many fish in the proverbial sea, I wonder ‘round the world just hoping that you’ll bump into me…” he sang, the first line of this spot on tune. I’m still glad it made its transition into a POV song, because it was one of the best in Ryan’s catalog, and the full band sound just makes it that much better. The talk then turned to Christmas, when they mentioned that with the release of “The Summer and The Fall” on CD, it was like Christmas. “Play a Christmas song!” shouted one of the audience members. “You really want us to play a Christmas song?!” Jaret asked, and they all looked at each other like they were contemplating the idea. However, the closest they got was Linus playing the tune of one on the keyboard. They then brought things down ever so slightly with “Rainy Day”, and soon after followed it up with the perfect song, and one of their best, “Because Of The Sun”. I liked the little metaphor that made, simply saying that the sun will shine after any storm, and things will get better. “It’s Not Love” came next, and Ryan started the song. Almost immediately, Jaret peaked over his shoulder, looking at where the capo was placed, before putting his on the same fret. Ryan didn’t seem to notice, or if he did he ignored, but everyone else got a kick out of it. “…We just topped Coldplay with that one…” Jaret said when they finished, noting that nobody even had to drop all the cash that they would have to see a Coldplay concert. “…I wrote this next song in the shower…” Said Jaret, which prompted a look from Ryan and bassist, Beau Wagener, of, “Do I want to ask?” “No, not like that!” he quickly replied, which didn’t stop Ryan from asking him if he heard “…Hundreds of screaming children coming from the drain…” It wasn’t as bad as it first sounded, with Jaret saying he thought of it while in the shower, then penned it once he got out. The song was the rhymey, “I Get You”, which is a quick and nice little love song. Jaret began talking about his birthday, stating that the best gift he got was having a service come out for a whole year to pick up his dogs poop. They were then informed they had enough time for one more song, and Beau, Todd and Linus left the stage, leaving the two to close out their 60-minute long set with a more acoustic style song. It was a cover of Ratt’s “Round and Round”, which further proves the bands love for classic 80’s metal songs, which is typically what they cover. It was a very different take on it, yet it sounded amazing. It was the harmonies that really made the song, plus the slower pace gave it more of a somber feeling.
It was a pretty good song to end with, and it was another fantastic People On Vacation show.
With their hectic schedules, they haven’t played live much lately, and I’m pretty certain the last time I saw them was last May. So long I had almost forgotten how entertaining they are.
The mix of infectious pop/rock songs, with hilarious humor make them one of the only bands that encompasses every aspect of entertainment, and they’re bound to reel you in with at least one of those.
Check out the two records they now have available, both of which can be found in ITUNES, and keep a check on their FACEBOOK PAGE for future show dates. ‘Cause hopefully, if neither of them get too busy with their primary bands, they’ll be doing another People On Vacation show sooner rather than later.
They may have been the headlining band, but there was one more act after them, and it was the insanely talented, Paco Estrada.
Joining him was his backing band, which is yet unnamed, but is comprised of Scotty Isaacs on the piano, Joel Bailey on bass, AJ Blackleaf supplying the beats on a partial drum kit, and the newest addition, Nathan Parnell on an electric guitar.
They opened their 42-minute set with one of Paco’s newest songs, “American Girls”, which has a little bit of a folk sound to it, but also is a bit of a classic rock song. As that song came to an end, Paco kept strumming his acoustic guitar, transitioning them right into their next song, which sounded all too familiar. Personally, I think Pacos’ most current release, 2011’s “The Definite and Indefinite…”, is overall the best collection of songs he’s done to date, but over the last year or so, most of those songs have found their way out of the live set, including the gem, “Whiskey Kisses”. Well, tonight they had decided to dust it off, and I think it was largely due to Nathan on the electric guitar. Once they hit the chorus, Nathan’s guitar work really livened up the song, while AJ tore in on the drums. It suddenly became a full-blown rock song, which is something Paco hasn’t done in a very long time. “…Your sweet whiskey kisses, that’s what I’ve been missing. When you lose your inhibitions…” he belted out on the chorus, in his rich, soulful voice. They did another new one, “The Way I Love You”, and afterwards, Paco acknowledged a friend and fellow vocalist who was out enjoying the show. “Tim, when was the last time I got to sing for you?” he asked, speaking to Tim Ziegler. It almost made it sound like the next song was dedicated to him, which I doubt was the case, since it was the ultimate love song, “When We Were Made”. Seriously, you’ll be hard pressed to find a love song as powerful as that one is. After another new song, the enthralling, “She”, they did yet another song I hadn’t heard in a few years. It wasn’t an original, though. “We got any Deftones fans in here?” asked Paco, which got a rise from the audience. He mentioned something about knifes, then said, “… I’m Mexican, so I got a knife in my boot at all times…” As you might have guessed by now, they were covering “Knife Party”, which was often a staple back in the days of Paco & One Love. This was a little more rock version, though, but still the best part was just the way Paco sings the chorus, “…Go get your knife, go get your knife and lay down. Go get your knife, go get your knife, now kiss me.”, with the force he puts behind it making it nothing short of phenomenal. It had only been a few weeks since I had last seen Paco, but since seeing that show in Fort Worth, I had anxiously been awaiting this one, to hear the song they did next, or rather the cover they tack onto it. “This song’s about my dad.” Said Paco, as they started “Breaking Down”. The part about his father comes on the second verse, “…My father had a heart attack at fifty-eight. I never thought that man was built to break. He told us that if he went under, he didn’t want them to resuscitate…”After a couple more trips through the chorus, Paco looked at his band mates during a brief instrumental break, before jumping into the cover. “Did I disappoint you, or leave a bad taste in your mouth? You act like you never had love, and you want me to go without…” he sang. I’ll say it again, out of all the covers he’s added at the end of this song over the years, U2’s “One” is truly the best. He has a knack for conveying real emotion while he sings, and that’s at its best here, especially on the line, “…We’re one, but we’re not the same. Will we hurt each other, then we do it again…”, which is sung with a fiery passion, and personally, I think it trumps U2’s original version of it. At this point, they only had a couple more left, and Paco mentioned that they were “…All love songs, so they’re all slower tempo…” That held very true to their next song, and another classic I hadn’t heard in awhile, “I Will Never Let You Go”. Now they only had one left, and it was the routine closer, “Haunting Me”. “…I’ll pack my bags. I’ll put my heart in a box of letters from you I have. I’ll disappear and paint it black, and when the memory of my face begins to fade, I’m coming back…” Paco croons on the second verse, giving the song somewhat of an eerie vibe. This is another one where he usually adds a cover song on the end of it, and it is the Whitney Houston classic, “I Wanna Dance with Somebody”, which is a positive note to end on.
The difference between this show and the one I had seen before it was like night and day. Like I said, that electric guitar brought them to a whole new level, and while they still had the songs that were very piano based, the drums and guitar surged to life on others.
It brought everything to life, quite honestly, this is the best band I’ve seen Paco surround himself with since One Love disbanded in late 2010. So, hopefully this will be the band that sticks with him for awhile. I guess only time will tell on that.
However, while this band may not have any recordings, Paco’s catalog is extensive, and several of his older records can be purchased via BANDCAMP.
Their music was a great way to conclude the show this night. It’s just a shame that so few people stuck around, because, as I’ve said many times before, Paco is the most talented singer/songwriter in the Dallas/Fort Worth area. Oh, and the incense they have burning during their shows makes it even more of an experience.
It was another killer night of music at the best venue in Deep Ellum, and if you weren’t there, you missed out.
It was back to my favorite Deep Ellum haunt, The Curtain Club, this night, where, just like the previous night, a killer lineup of bands had been assembled.
Said Kelley is a acoustic pop band based out of Minneapolis, Minnesota and the trio was founded by longtime musician, Kelley Larson, who serves as both the voice of the band and the guitarist. Setting her apart from most singer/songwriters I’ve come across is the fact that her main priority is her husband and children, not music.
Her love for music is quite obvious, though, and she uses her family as the inspiration for her songs on the bands current release, “Cupcake”.
The lead track is “Sbwdsufs”. It’s a very rhythmic song, driven heavily by the drums, though the bass works its way into the groove quite well, accenting it and giving it a rather hypnotic beat. To balance it out you have Kelley’s voice, which often soars on the song, and gives it an infectious pop quality. When it’s all said and done, it’s proved to be a splendid introduction to the band and their sound. So, if you listen to only one of Said Kelley’s songs, let it be this one. Then afterwards, you should find yourself hungering for more.
The next song, “Make Me Up”, carries a deep message with it, and one that I imagine could hit home with a lot of people (particularly women). “…I don’t need no makeup to make me up… I don’t need your scales to weigh my worth…” Kelly croons on the chorus, which is all about being who you are and “…breaking the mold created by society…”. It’s a must listen for anyone who may think they don’t belong for one reason or another. i.e. because they aren’t “supermodel thin”. Granted, it doesn’t carry as much weight with me personally (I think being a guy has a lot to do with that), but I can easily see how this could be an empowering song.
Following it is the shorter, acoustic song, “White Walls”. As good as their more Pop based music is, I think they sound their best on this one, and the other slower tunes that are scattered throughout the record. Since first hearing it, I’ve liked the percussion instrument known as a cajon, and it’s used to make a tranquil sound on this tune. And as amazing as Kelly’s voice sounds on the other songs, it’s most captivating here, having a very passionate quality to it and fills the song with emotion.
“Forbidden Lover” has a fiery sound, in a sultry sense, that behooves the atmosphere it’s trying (and successfully) creates. However, it gets a little repetitive to me. Don’t misconstrue that, I’m not saying it’s a bad song, it’s just not one of my favorites.
That brings us to the title track from the album, “Cupcake”. The song is dripping with metaphors, which in turn makes it one of the smartest songs I’ve ever heard. It’s a love song of sorts, probably best summed up with the opening line, “I wanna be your cupcake. Something you look forward to…”, but the best parts are found deeper in the song, like the bridge towards the end, “…Simply sweet, delightfully delicious. Your ultimate fantasy…”. It’s simply a brilliant song, and with the occasional, not so subtle innuendos, it walks a very fine line of being both a sweet song, and a slightly dirty one, which is precisely what makes it so enjoyable.
Things again hit a lull with “Alex Fred”. It’s pointed out on the chorus that, “…This is not a love song about you, it’s just the hard reality of how I really feel about you…”, but it sure sounds like a love song. And a pretty good one at that.
The pace picks up a little with the “Gray Cloud”, which is the longest track on the album. It’s still fairly soft, but the percussion is more much more pronounced on it, than say, the previous song. It’s another highlight song on this fine record, and also another one that showcases Kelley’s gift of penning songs. For instance, this part from late in the second verse, “…As the winds around me dictate the choices I make. A shower of tears puddles around my knees. As I look to my gray cloud for peace…”. Just pay attention to it, and the lyrics alone will drag you in.
Some rather somber bass notes get “Free” going, which is a fitting emotion. The song paints a picture of not being entirely sure who you are as a person, even possible trapped in your own skin, but longing to get out and be, as the title suggests, free. It’s really not as depressing as it might sound, though. Instead, it’s kind of uplifting, speaking of a person who does see all the good qualities, even if she might not have at the time.
The best love song on the record is the next track, “Long Enough”. She just plainly professes her love for her special someone, singing that, “…Forever isn’t long enough…”, It’s straightforward and simple, and that’s often the best way to say stuff of that magnitude.
“Pop Rock Lips” is the closest thing to a sappy tune on this record. I don’t feel that “sappy” is the best word to describe it, though. Like the other songs found on the album, it simply provides a clever way of saying something sincere. Helping it out is the more electric vibe it has, sounding pretty poppy and upbeat, which is very behooving of the lyrics.
“Beautiful” brings things to a close, which is an entirely acoustic song, with the exception of a violin which is added at various points. The lack of the other instruments leaves Kelley’s voice completely exposed, which allows it to sound better here than any previous song. It will most likely leave you awestruck, and the violin serves to only intensify its beauty on this more spiritual based tune.
Over all, I’d say “Cupcake” is an excellent album, simply because all the songs that comprise it are so honest and open.
Unlike some music from other bands, it’s very easy to conclude what the subject matter is about, but are clever enough that they aren’t just plain. Even better than that is the fact that none of these songs sound like anything you’ve heard before. That is to say, the lyrics are better than a majority of the songs out there, and by leaps and bounds at that. And by listening to it, I guarantee you will find at least one song that evokes some type of emotion in you.
Said Kelley is:
Kelley Larson – Vocals & Guitar
Heather Weideman - Bass
Holly Maczuzak – Drums
Purchase the album on:
iTunes / CD Baby
Visit Said Kelley’s websites:
Official Website / Facebook / Twitter / Youtube / Reverbnation