The Boiler Room is best known for hosting hard rock and metal bands, and this night, they had quite the lineup scheduled.
Even though I got there around nine, the first band (Darkside of Daylight) had already come and gone, as this apparently ended up being a five-band bill. That made Driven Below the first band I saw, and they wound up being just too heavy for my personal tastes.
They opened their 27-minute long set with “Prelude to the Dark”, and while I may have found the music too metal, I did enjoy the stage show, and the banter was topnotch. “This is a Friday and it sounds more like a Wednesday!” vocalist Eric Daughtry shouted, trying to get the crowd more pumped up. He then joked that bassist Jim Taylor wrote this bass line for their next song, “Legions of the Damned”, while back in Tyler, “sipping on a daiquiri”.
Another funny moment came when Eric tired his hand at a Matthew McConaughey impression, using the old standby, “Alright, alright, alright.” “That’s always a crowd favorite.” he joked after the audience cheered him; before they eventually ended with “A God Among Insects”.
I may not have personally liked them, but I don’t have anything bad to say about them, either. It’s just not what I’m into.
They have a show at Click’s in Tyler on June 21st, and then they’ll be at The Rail Club in Fort Worth on June 28th. They also have dates at RBC in Dallas on July 18th and The Office in Euless on the 19th.
More or less the same can be said of the following band, A Threat to the Enemy, who did enough heavy screaming that I couldn’t even get into it in the slightest. Those who were there were loving it, though, and their music induced a lot of head banging.
Next up was one of the bands most of the people were there to see: Light the Fire.
It had been six months since the band had last taken a stage, and a lot had happened with the band since then. For starters, they went to Cleveland and laid down some tracks for their third album; and, as they got their banner hung at the back of the stage and their scrims set up on each side of it, something else became clear: Felix Lopez was now the lone guitarist in the band.
I had been told right before the show this night that their lineup would be a little different, and it was then that I realized what that meant. No one seemed too taken aback by it, though, and they certainly weren’t worried about how this show would play out.
“Come on, Dallas! Let me see you bounce your hands with me! Let’s have some fucking fun tonight!” shouted vocalist Jeff Gunter, who, like his band mates, was clearly ecstatic to be back on a stage. They warmed everyone up with the old favorites from their first EP, tearing right into “Don’t Fail Me Now”, as Jeff began screaming out the first verse of the track. “So don’t fail me now, this dream is mine. Our time is now, so watch me shine!” he roared on the chorus, as fans sang and jumped along to the music.
“It’s good to be back.” Jeff remarked afterwards, before asking if anyone was familiar with the title track from that debut EP, “Not to Self”. “I know more of you know it than that!” he said after getting a weak response. I’d be remiss if I didn’t say that “Note To Self” sounded a little different without two guitars. That was only really at the beginning, though, and once they got through the guitar intro, the rhythm section of bassist Andrew Penland and drummer Blake Hein helped flesh things out. “Hey!” Andrew shouted on the bridge, as Jeff held the mic out to different fans, letting them lend a helping hand with the backing vocals. “Suck it!” Jeff shouted as the track came back in, with a little more force than normal I might add.
“Boiler Room, how you doing?” Jeff asked once that song was done, while the sample track for their next one (and subsequent track on the EP) had already began to play. As is normal, he asked for everyone to do some jumping around at the start of “Thoughts”, and more than a few fans were happy to do that. That was what the crowd needed to really get riled up. People had been surprisingly calm thus far, but now some moshing broke out, though it was even tame compared to other LTF shows.
“Dallas, it feels so fucking good to be back!” Jeff again exclaimed, still riding high on the waves of excitement and adrenaline. “I’m out of shape. Like, bad.” Andrew added. I imagine that was true, given the band played very frequently before what could be called a brief hiatus, though their actions on stage didn’t reflect that of a band who was out of shape. “I feel fat.” joked Jeff, referencing their time in Cleveland, and saying with all the cheese they consumed, “you won’t shit for a month”. The chats were nice, though they made sure to never let them go on for too long, and soon got back to business, again getting the audience to participate in shouting “Hey!” at the very start of “Under My Skin”.
From the end of it, they went right into the lead track from their self-titled EP, “All Or Nothing”. Jeff continued the role of high-energy frontman, jumping all around the stage and getting up close and personal with those who were right up against the stage, before jumping backwards onto the drum riser towards the end. “Sorry for being MIA…” he said as they took another break, saying he and his wife had decided to, well… He somewhat thrust his pelvis in the air and made some sounds associated with sex, saying they had, had their first child sometime in these last six months. He mentioned that sacrifices are hard, mainly talking about the sacrifices you make when you have a little one to care about, but that could be applied to several situations, and because of that, it made for a perfect time for Andrew to interrupt. “Give it up for this guy for sticking around…” he said, noting that Jeff very easily could have left, and no one would have blamed him a bit.
It was surprisingly real talk, which soon gave way to them mentioning that those who knew them would know this next song had a special name at shows. “Put your thunder cunts up in the air!” Jeff instructed (Thunder C*** is what the song is known as), as fans placed their thumbs and index fingers together, making an opening. “Look how big Blakes’ thunder cunt is!” Jeff said pointing back to the drummer, who was using his sticks to make his. On the album, the song is known as “Forever Grateful”, a truly great, albeit heavy, love song, and Jeff used the lull of the tune to formally introduce the band. “Felix the Cat.” he said of the guitarist, while Blake’s nickname “Blake The Snake” was used, and Andrew was simply called “Andy”.
“Dallas, I have just one thing to say to you. I’ve never been so grateful!” he screamed as they suddenly kicked the song back into high gear. With their 37-minute long set nearly over, Jeff made clear he wanted to see some movement out in the crowd, as they looked to end things with the uplifting, “Stick To Your Guns”. “Believe in what you find inside yourself. We’re shooting for the stars and nothing less…” goes the chorus; and before the breakdown, there was a second or two long pause, where the whole venue was just silent, making the track sound even better.
As it turned out, they weren’t done just yet, though. Their trip to Cleveland “AKA Scary Place” (as they called it) was again mentioned, and they had several nicknames for the city. “…There’s a place called Ghetto Gas. That’s real.” Jeff informed everyone, before telling the listeners that they thought they’d play one of the new songs they recorded, saying it was for all the lovely ladies. Jeff used his fingers to make a hashtag sign, and, if I heard him correctly, the new number was titled “#IDoItforTheFuckingRatchets”. It was a super heavy song, rivaling that of some of LTFs’ most intense numbers thus far, and they got some help from some friends on it. JC (of Darkside of Daylight and formerly The Truman Syndrome) joined them on stage, and eventually, Tina Downs (of Deaf Angel) was coaxed on stage to do a little background singing.
It may have been one of their heaviest songs, but it was also one of the best, and as they got ready to get their gear off stage, Andrew took time to again thank everyone for not only coming out, but also for not forgetting about them and sticking with them. “I know it’s been a minute.” he said in closing.
If you hadn’t known that they hadn’t played in six months, you never would have guessed it. They might not have been in perfect form, but there also weren’t any signs of dust having collected in that time off.
They’re still tight and they’re still an excellent metal band, even now that they are down to one guitarist, and really, sans that one song I mentioned earlier, I didn’t even notice that much of a difference as far as their sound goes. They’ve adapted the songs quite well to fit the new format.
Their next gig will be June 22nd at Tomcats West in Fort Worth, and they’ll also be performing the Austin and Dallas dates of the Dirty South Festival. The Austin date is August 1st at The Dirty Dog, while Dallas is happening at Trees on the 2nd. They also have a August 23rd show at Curtain Club in Dallas; and if you don’t have their EP’s, you can pick them up in iTUNES.
Bringing the show to an end was one band I hadn’t seen quite some time. A little over a year to be exact, when I first happened across Cull the Heard.
Since then, the band has released their debut album, gone through a lineup change (or two), and have made a good dent in scene, doing frequent shows and capturing a good fan base.
“Is everybody having fun tonight?!” frontman Davon Says asked the crowd, before their enlivened 41-minute set started off with the lead track from the “Reap the Harvest” album, “That’s Right”. He even sang the songs title in his deep metal voice a few times after asking the audience how their night was going, being answered with their cheers.
The presence was there, and so was the energy, as Davon raced back and forth on the fixture that has been added in front of the stage to expand it. He spent more time there this night than he did on the actual stage, because that way he got a closer connection with the crowd. When he wasn’t darting around, he was jumping; and he even walked into the crowd and then out the door at one point, looking to reel in anyone who was standing outside. Then, when he came back in, he incited a friendly mosh pit.
It was non-stop insanity just on their first song, and they kept that pace up for the duration. “Is your life on hold?!” Davon asked, before guitarist Eric Dando launched them into the finely crafted “Life On Hold”. Davon kept going full throttle, placing one leg on a windowsill, standing firm on it and the extended stage, as he leaned over a few fans and sang at them. John Tapia took advantage of his wireless bass, and he mingled with the crowd on that one, giving spectators an up close and personal look. “Are you fucking ready?!” Davon asked as the songs lull came to an end, and they exploded back into the track.
They showed off their softer side at times during “I Want More”, and Davon grabbed the hands of many of fans/friends who had gathered around the stage, before again getting off the stage and disappearing into the bar section of the venue, and all the while you could still hear him singing. “How y’all doing tonight?” he asked sincerely after that song, before posing another question to everybody. “Are y’all in this?” It was a setup for “In This”, which saw Eric playing a wicked guitar solo, and drummer Mike Lambert and John made for a powerhouse rhythm section.
That led them to their “panty dropping song” as Davon referred to it as, saying that “Pieces” was for the ladies, and it was “about being a better person”. The track starts on a slower vibe, but eventually rivals that of their other numbers. “Are y’all fucking ready?!” Davon bellowed, before furiously head banging to the intense beat, so hard, in fact, that his hat flew off his head and landed in the floor. Upon jumping down to get it, he entered a mosh pit, and was more than happy to partake in it, all the while never missing a note.
“This next song requires some participation.” he said in advance of their next song. “Say ‘What!’” he instructed, adding that came after he sang “…I’m a part of it and it’s a part of me.” People happily helped out with that at the start of “Part of It”, when Davon sang a couple lines a cappella; and when the music came in, he proceeded to quickly sidestep back and forth on the area in front of the stage. “Y’all want some more?!” he then asked, holding the microphone out to people to better hear what they would say. The answer was a resounding “yes”, and “Can’t See” seemed to do just the trick for the fans, sparking a whole new dose of excitement. John again left the stage, this time wandering over to the bar, but the highlight came when Davon took a flying leap onto the audience.
They had done most of the songs off their album at this point, but still had a few left in the chamber, and before “D.I.M”, Davon clarified that it stood for “Deep Inside of Me”, a phrase often repeated during the track. “Kiddin Me” offered a great note to end on, and once it was over, Davon, who was again out amongst the people, gave several of the fans big, sweaty hugs, thanking them for coming out. It made it sound like it was over, but his band mates had other ideas…
Before they could even check on their time, Mike started them in on “Take Me”, a song that pushed them past their allotted time, but no one really cared. “You can’t take my life from me. I’m too strong for it, you see?” sang Davon on the chorus, channeling the more delicate side of his vocal range, before bursting into some screaming.
Their set was as explosive as they come, and they were a spectacle to watch on stage. Cull the Heard has definitely set themselves apart from much of the rest of the herd, and that extends to their music, too, which has several metal elements, but is also pretty original sounding.
If you haven’t seen them, you’re missing out, and I know I’m going to have to try to start catching their shows more often.
Keep a check on their FACEBOOK or REVERBNATION pages to be in the loop about future shows; and be sure to pick up “Reap the Harvest” in iTUNES.
I may not have loved every band I saw here this night, but the two I really did enjoy made this a spectacle night.
The Boiler Room is best known for hosting hard rock and metal bands, and this night, they had quite the lineup scheduled.
Torch Entertainment was presenting a show at the Curtain Club in Dallas this night, and I almost didn’t go to it. The reason being it was billed as a metal show, and any casual reader should know by now I’m not a real metal fan.
There are a few metal acts I enjoy, such as Dallas area based, Light the Fire, who was actually the catalyst for me wanting to go to this show, after they were added on semi last minute. I then gave a quick listen to the headlining band, Affiance, who proved to be a different type of metal than what I had expected. There was legitimate singing on their songs, unlike the throaty screaming that plagues the metal industry these days. I was thoroughly impressed after listening to their recorded stuff, and knew I had to be at the show to witness what they were like in the live environment.
First up this night was the Denton based metal act, Wake the Dreamless. With their first song, they proved to be better than I expected. They were a definite metal band, but vocalist, Joe Bustnaji, did equal amounts of singing in both a “clean” and “dirty” style, which kept my interest. They, or rather guitarist, Alex Reuda, had some slight technical difficulties after that song, but fixed it soon enough. “This next song’s called Polarized.” Said Joe, as Alex and fellow guitarist, Cameron Grantham, bassist, Josh Manalo, drummer, Neil Geisel, and keyboard player, David Kang, started the lengthy intro of the song. It was borderline epic, spanning over six minutes, and had a nice flow to it. The issues with Alex’s guitar still persisted at this point, causing the band to put things on hold while he fixed it. At one point he turned his amp back on, thinking the problem had been taking care of, only to have the venue filled with a barrage of ear piercing sounds before he quickly turned it off. Joe managed to use that as banter, though. “That’s our new wave of death metal. It’s just noise…” he said. Once that was fully resolved, they got their next song going, which was heavier than the previous two, and that only progressed with the next and final song of their 23-minute long set.
They were offered a chance to do one more, as they had some time leftover, but apparently those four songs were all they had planned for on this night, and had nothing else ready to pull out.
They were good. You could tell they were a newish band (according to their Facebook page they formed almost two years ago), and they never seemed like a truly cohesive unit, rather five guys who were all doing their own thing. The skill is there, though, they just need to bring it all together. I also found it an interesting choice that they had a keyboard player, since it doesn’t necessarily fit with the genre of music they play, and while I did find the guitars, bass and drums often overpowered the keys, when you could hear them, they added a nice layer to the music.
You can get a free download of their single, “Polarized”, by going HERE, and in the near future they will be releasing their newest EP.
After them was Light the Fire, who can often be seen headlining the Curtain Club, or at least acting as the main support band, but not this night.
I was, shall I say, intrigued to see them this night. Very recently, their original singer, Jamie Glasgow, decide to leave the band, who rather quickly found a replacement. This was only going to be their second show with the new frontman, though, and I was curious to see what Light the Fire version 2.0 was like.
Their set started in the routine, yet original way, as a rap song began to blare. When the curtain finally opened on them, guitarists, Ryan Dickinson and Felix Lopez, were both sporting some sunglasses, bobbing their heads to the music. Bassist, Andrew Penland, was doing the same, just sans the glasses. Once that sample track began to fade out, Blake Hein led them into the first song with some heavy drum beats, while Jeff Gunter raced onto the stage. “How are we doing Dallas!?…” he asked, leaving little time for a response as he began screaming the opening line of “Don’t Fail Me Now”. The “moment of truth” came rather swiftly, and I realized I had nothing to fear, as he kept the singing pretty true to form to what it had been. “This next song can be found on our EP.” He said hastily, while Felix and Ryan let loose the triumphant notes of the title track from their EP, “Note To Self”. There weren’t a ton of people there this early on, but the ones who were and were up front watching helped them out here, chanting, “HEY!”, right along with Andrew and Jeff on the songs bridge. They powered through this 24-minute long set, and Blake wasted no time, counting them right into their next tune. “This is a brand new song, Dallas.” Jeff said, “It’s called Thunder Cunt.” I still believe this is the heaviest song the band has played to date, and while I liked it the first time I heard it, I thought it sounded even better now. Though I’m not sure if it’s due to them simply having played it live a little more or if it was because of Jeff. When they were about halfway through it, they took a musical break, which Jeff used to introduce his band mates. “Do you know what, Dallas?” he asked after naming everyone, “I never felt so good in my life!” he screamed, resuming the song. It was directly followed by “Under My Skin”, which worked incredible well, since it’s another brutal number, in all the right ways. “Thoughts” came next, and Jeff successfully got some of the fans to jump up and down and just have a good time at the start of it. That brought them to their final song of the night, which was another new one from their upcoming EP, and as they tore into it, Ryan and Felix each hopped onto a box on their respective side of the stage, churning out the notes on another pretty killer song.
It may have been a (slightly) abridged set, but they still managed to pack it full of rock. In fact, I think there was a higher than normal quantity of it this night, even by Light the Fire standards.
They were just on fire this night (no pun intended). Andrew and Blake created the perfect rhythm section this night, especially during “Not to Self”, where Andrew was pounding out the bass lines and reacting in perfect synch with every thundering beat. It was true musicianship through and through, and not just from them but the whole outfit.
That leads us to Jeff. It would be accurate to say I hate when any band gets a new singer, simply because it changes any bands overall sound so much. Sometimes that’s for the better, but there have also been a few acts that have lost me as a fan due to replacements like that.
Luckily, Jeff doesn’t alter the band’s sound that much, though. He definitely has his own voice, which lacks the higher tone that was normal for Jamie, but I look at that as a good thing. It allows Jeff to make the songs his own in a way, while some of his stage mannerisms are similar enough to their former frontman’s that it’s not going to be a drastic change from the live show the fans were used to seeing.
Very solid, especially considering Jeff had only been with the band for three weeks at this point, and had only performed once with them in the live setting.
It’s too early to say if Light the Fire will be even better now than they were before, but they are every bit as great as they’ve always been, and with a new EP/DVD set to be released in June, I’d say the future looks pretty bright for them.
If you haven’t already, check out their debut EP, “Note to Self”, and if you can, go to one of their upcoming shows. They’ll be rocking Click’s Live in Tyler on March 9th, then the Abbey Underground in Denton on the 10th. March 23rd will find them at Hartline’s in Greenville, and they again be rocking the town on April 20th, this time at The Hanger. They even have some dates booked in May, so to see the full listing, visit their REVERBNATION PAGE, where you can also get a free download of their title track.
The third act of the night also happened to be the first of two female fronted bands on this bill, and that was Solice.
This just so happened to be the bands one year anniversary of performing, having done their first live show almost a year to the day of this one, which also took place at the Curtain.
I don’t remember exactly how I came across them, but I had been wanting to see one of their shows for at least the last six months, and was excited that I was finally getting the opportunity.
Once the curtain opened, frontwomen, Xtina, made her way on stage and dropped the band’s name for anyone who didn’t know, along with asking how everyone was doing. She finished with, “…”This is a brand new song. It’s called Not Giving Up.” Rob was the one who started the song, with some very thick bass notes. It was a great and slightly more unique way to open it up, but the song didn’t spring to life until guitarist, Juan, and drummer, Ryan, joined the mix, and that was when you knew it was on. After their second song, Xtina had, had enough of the large empty spaces in front of the stage, and she asked everyone to come and join them, and some of the people who were standing further off did just that. They cranked out a couple more songs before Juan started them on one from their first EP, “Break Free”. It was very fast paced and driven, which subsequently made it engaging to the audience and was easy to rock out to. And as if it weren’t heavy enough with thunderous rhythm section of drummer, Ryan, and Rob, the backing vocals (or rather screams) that Juan threw in really set it off as a hard rock song. “We’ve got a couple more for you.” Said Xtin, announcing their next tune was called “Trapt”. It got off to a slower start. So slow that actually she and Juan took a seat on the drum riser, while Rob sit back on his amp. The tranquil sounds didn’t last long, though, as the song soon roared to life, and the three of them jumped back into action. That brought them to the final song of their 32-minute long set, which was another staple of theirs, “The Mask”. Xtina had used her keyboard that was setup at center stage briefly earlier in the night, but it really got put to use know as she used it through part of the first verse, giving the song a beautiful texture. “The outer world puts on a face. Halloween is every day. How you acts not how you feel, no one knows the you that’s real…”She sang, with it making the transition to a full-blown rock song at that point.
It was a pretty high energy show they put on, and they were every bit as good as I had hoped they’d be. They play a nice blend of hard rock tinged with metal, with the metal sound definitely coming from Juan’s guitar work, and even slightly via Rob and his bass. That’s balanced out by Xtina, who has a powerhouse of a voice, and while she sounds great on their recordings, they in no way capture how incredible she sounds in the live setting.
If you haven’t seen them already, they are definitely an act to check out, and one I hope to see a little more often now.
They have several shows coming up, beginning with March 13th, when they will be performing on the Back Porch stage at Six Flags in Arlington. On March 15th they’ll be at Tomcats West over in Fort Worth, while on the 30th they’ll be down in Houston at Walters. They also have a gig lined up for April 13th at Treff’s in Waco. Lastly, if you head over to their REVERBNATION PAGE, you can get a free download of “Break Free”, as well as purchase the other three songs that comprise their EP.
Cull the Heard was next, who was yet another act I had never heard of prior to this, and didn’t know what to expect from them.
“Take Me” kicked off their 28-minute set, with vocalist, Davon Says, singing the first few lines in, of all styles, acappella. “You can’t take my life from me. I’m too strong for it, you see?…” he sang, demonstrating he had quite the voice on him, with his pitch being perfect as he hit each note. The metal part of their music soon began, though, with some fast paced guitar notes from Eric Dando and deafening beats Jim Stephenson was pounding out. That was when Davon began shouting out the lyrics in a more throaty voice, and while I usually dislike vocal styles like that, this turned out to be an exception. Actually, it still sounded good, and the anger it evoked fit with what the song was about. And it only helped that they already had me fully captivated with their energetic performance. After it, they did one titled “Lead Me Home”, and before the following song, Davon offered a brief explanation of what it was about. “…It’s about chasing your dreams…”, adding you just need to do what you enjoy. It was aptly called, “I Want More”, and got off to a softer start, before it swelled to a point it could give any metal song a run for its money. They followed it with “Pieces”, which Davon said was about “…Putting the pieces of your life back together. ‘Cause no one else is going to do it for you…”, and upon finishing it they did “Dim”. Davon used a cordless mic, and right as the song started he leapt off stage into the crowd, before making his way through everyone and eventually walking out the door, presumably out onto the patio. I can honestly say that out of the nearly one hundred shows I’ve seen here at the Curtain, I’ve never seen anyone do that before. That left Eric, Jim and their bassist alone on the stage, but they were more than capable of putting on a show that held your attention until Davon rejoined stormed back in and rejoined them. “Part of It” was another aggressive number and one you could really head bang to, and that left them with only one more song, during which Eric shredded on his guitar for a killer solo.
I liked these guys a whole lot more than I thought I would. Scratch that, I think love is a more fitting word over “like”, and out of the local openers, they ended up being my second favorite.
The stage show was excellent, with Davon exerting most of the energy, at least in terms of being the most active, constantly roaming about and really engaging the crowd. He’s about as solid a frontman as you could find and a real beast, while Jim, Eric and the groups bassist all appeared to be masters of their craft as well.
Impeccable. That’s a good word to sum up their show this night, and I will definitely be attending more in the future.
They’ll be playing at Tomcats West in Fort Worth on March 22nd and May 5th, the latter of those dates being another Torch Entertainment show. They’ll also return to Dallas in between those gigs, again rocking the Curtain Club on April 12th.
The last of the local openers was the Fort Worth based, Deaf Angel.
It had been some time since the last time I had seen them (about eight months), during which time they’ve made some changes. One of those changes is the acquisition (or re- acquisition) of Duston Daulton, who is now the rhythm guitarist. They’ve also written a lot of new music for their upcoming LP, which made up the bulk of their 26-minute long set this night.
Their opener was one of those new tunes they unleashed on the audience, and I don’t think there’s any arguing that it’s one of the best things the band has done thus far. Lead guitarist, Lee Daniels, and Dustin cranked out some great riffs on it, even having nice lull that gave the impression it was over, before the group exploded back into it. Vocalist, Tina Downs, added some keys to the next song at the start of their next song, “Goodbye”, which was one of only two songs they did from their “We Will Rise” EP. That didn’t last long though, as she soon left the keyboard, which was set up by the drum kit, getting back to the forefront of the stage to rock out. It’s a very rhythm heavy song, with some killer drum work from Scott Van Slyke, which made it easy for bassist, Kelly Robinson, to thrash around. I also want to say I like the way Scott sits up his kit, which is to the side rather than facing the audience, allowing everyone to better see the skills he posses. “Judge” was another new song they did, and afterwards, Tina asked everyone a question. “Does anybody know who we are?!” The audience cheered, prompting her to ask, “Who are we?!” The fans shouted back at her, “DEAF ANGEL!”, which went on a few times. It’s also worth noting that out of all the opening bands, more eyes were on them than anybody else. That led them to their other song off their most current EP, “Rise Up”, which was just one of many this night that had Scott adding some backing vocals, which really metaled up their sound. Following it was “Face”, and after learning they had enough time for one more, Tina said, “…Let’s get crazy…”, stating that “Crazy” was the song title, and was a good one to conclude their show with.
I’ve only seen them a handful of times, but this was the best Deaf Angel show I’ve caught. I thought that they brought it even more than they usually do. Part of that was probably from Dustin, who I think helped broaden their sound and kick it up a notch, both in terms of the sound and their live show. He wasn’t all of it, though. Kelly put on a show by himself and it was evident he was feeling it for every single second they were on stage. I’ve said this many times in the past, but I find it hard to always pay attention to the drummers of any band when there are three to four other band members constantly moving around, making it hard to see them, but Scott was impressive enough I made a point to give him my full attention. While Tinas’ voice, which is powerful and attention grabbing, was just as big of a focal point.
Later in the year they’ll be releasing their new full-length record, “Brutally Beautiful”, but in the meantime, check out the singles they have available on ITUNES.
They served as an excellent final warm-up, but now it was finally time to see what Affiance was all about…
They launched right into their 47-minute set, which began with “You Will be Replaced”. The commanded a small crowd, at least at first, but most everyone who surrounded the stage were fans through and through, singing along to every word, like the songs chorus, “We’re fighting as hard as we can to not be forgotten. We’re running as fast as we can. To the front lines we live on forever.” It didn’t even take that full song to have me completely engrossed with the band, more like the first minute of it, and it was already obvious this was going to be quite the spectacle. Material from their newest album was the main focus point this night, though they did a couple from their 2010 debut, “No Secret Revealed”, such as their second song, which singer, Dennis Tvrdik, quickly mentioned was called “Nostra Culpa”. Thus far they had been pretty music oriented, but during the little break they started letting their personalities come out, subsequently building a bit of a rapport with the ever growing audience. Dennis said he eaten too much food at one of their gas station stops, which was now causing him to belch. He apologized to everyone, though I never heard any of it being picked up by the mic, then stated their next song was “Righteous Kill”. About halfway through the song, drummer, Patrick Galante, showed off just what kind of skill he has, tossing his drum sticks in the air one at a time, always knocking out some beats with the one that was currently in his hand, making it look incredible effortless. Also, when he wasn’t singing on that one, Dennis was often surveying the crowd and bore a very determined look with a fiery passion in his eyes. It made it crystal clear that he, along with the rest of the band, took this seriously and were going to leave it all on the stage. A sample track played before their next song, as guitarists, Brett Wondrak and Dominic Dickinson, as well as bassist, Cameron Keeter, geared up to start their next song, the lead track from “The Campaign” album, “Kings of Deceit”. “Are you awake, Dallas?!” asked Dennis once the song was finished, which caused everyone to roar back at him, showing they were still very much alive. While that was going on, Deaf Angel’s, Tina Downs made her way on stage, as the band started “Bohemian”. She added some backing vocals on parts of the chorus, and I believe it was the start of the second verse where she briefly took over the lead. That earned Deaf Angel a shout out, and Dennis mentioned how much they liked the band, and that they had shared the stage with them a few times in the past. Topic of conversation then turned to the bands home state of Ohio (they hail from Cleveland). One of the fans shouted something about how great Ohio was, but Dennis quickly responded with, “…Now parts of Ohio suck…”, saying that there were a few not so great parts of it. Things then circled back to an earlier topic, as Dennis said he was still feeling “gassy”, to the point he thought he might puke. A fan asked if maybe it instead stemmed from having too much to drink, and surprisingly, he answered by saying he doesn’t drink before shows. “…That’ll fuck you up…” he said, meaning it ruin your voice when you need it most. He went on to say he had only thrown up once before during a show and it was because he had too big a meal, and luckily tonight did not make for a second time. They then moved on, firing up “The Cynic”, and while Dominic, Brett, Cameron and Patrick raced through the intro, Dennis outstretched one arm, acting as if he were holding a shotgun, then “firing” it in synch with one of the drumbeats, right before he started singing. “We the Machines” followed that, but first Dennis asked everyone to headbang to what was about to ensue, saying he wanted to see some “…deep headbanging, all in unison…” Nearly everyone obliged. The banter continued afterwards, when Dennis said, “…As you may know, people from Cleveland are kind of Dallas Mavericks fans, because y’all kicked Lebron James’s ass a couple of years ago…” I believe he even referred to the NBA star as a “piece of shit”. “Peace of Mind” was the next song they did, and it was the only song of their set that didn’t go over smoothly. A song or two before, Dominic had switched to another guitar, and while shredding away on this tune one of the strings broke. His band mates noticed it, but didn’t pay it much attention, acting like professionals as they powered through it, still giving it their all. “I’m sorry, guys. My string broke.” Dominic said when the song concluded, seeming pretty sincere with his apology. They stated they only had a couple left at this point, and Dennis asked for everyone who was a warrior to move up front, causing everybody to pack in tightly. With his choice of words, I expected a different song, but instead they performed the title track from their 2012 record, “The Campaign”. I’d say it was good way to start winding things down, but I don’t know how much winding down was actually done, because everyone still appeared heavily invested in the show. They had saved the best for last, and to ease them into their final song, the track “Mad as Hell” began to play. For those who don’t know, it’s a speech by the character, Howard Beale, taken from the ’76 film, Network. “I don’t have to tell you things are bad. Everybody knows things are bad. It’s a depression. Everybody’s out of work or scared of losing their job…” it started, during which time Cameron put his bass down, resting it against the drum riser. He neared the edge of the stage, pacing back and forth from one side to the other, inciting the crowd by trying to get them to make some noise, and could often be seen lip-synching to the speech. “…”I’m as mad as hell, and I’m not going to take this anymore!” By that time, Cameron had his bass back on, as Dennis yelled the opening line of “Call to the Warrior”, “Get up off the ground!”.
I half expected an encore, but no, that really was it. Not that I was disappointed by any means, it’s just that they were so damn good I would have loved to have heard more.
Now Affiance is a true metal band whose music I can really get behind. Like I said earlier, it’s the constant screaming that really turns me off of most metal music, but that’s kept to a minimum in Affiance’s music. When Dennis does scream, it more just adds a nice effect to the music, while is actual singing voice is nothing short of phenomenal and gripping. He sounds every bit as good live as he does on their albums, probably even better. Both Brett and Dominic came off as being masters of the axe, shredding almost nonstop, while Cameron could command the audience every bit as good as Dennis did, and Patrick was a true machine on the drums.
It was really an off the wall show they put on, and in terms of energy and showmanship, there’s no reason they couldn’t or shouldn’t be headlining much bigger venues in Dallas and elsewhere. Of course they might not have the necessary fan base for that yet, but they’ll get there. After all, this was (surprisingly) their first ever headlining tour, and for a Thursday night, I’d say their Dallas stop turned out to be a monumental success. And whenever they come back through, I know I’ll make a point to attend the show, and you would be wise to do the same.
At this point, their tour is almost over, with the remaining dates being March 6th at Live 59 in Plainfield, Illinois and the 7th at The Machine Shop in Flint, Michigan. That’s not all their shows, though. They have a few in later March in the states of New York and New Jersey. They’ll also be on the road for a lot of April, hitting cities in Virgina, New York, Ohio, Kentucky and Missouri. For full details on when and where they’ll be, go HERE. Also, check out both of their full-length records, plus their cover of “The Final Countdown”, in ITUNES.
Congrats to Torch for putting on such a successful show. It was definitely one for the books, and I feel there’s a pretty good chance this will be one of the best shows I see all year.
All photos were taking by Danny Motta of Danny Mota Photography. All rights belong exclusively to him. Visit his OFFICIAL WEBSITE and to see all of the pictures from this show, go HERE.
Wake the Dreamless
Light the Fire
Cull the Heard