Friday, March 7th, 2014 – A Stellar Night of Local Rock at Trees

Most days now, Trees plays host to a slew of bigger name national touring acts who happen to be passing through Dallas. However, this night, it was all about the locals.

Nothing More was the main attraction, and after two months of downtime (and eight months since their last Dallas show), the San Antonio based outfit was making their return, while a lot of great area talent had been tapped to open.

In Memory of Man was charged with getting the show going, and hit the stage right at nine.

Guitarists Chad Beck and Johnny McConlogue, bassist Marcus Gonzales, drummer Javier Garza and keyboardist Matt Langley jammed on their instruments briefly, before Alex Lilly strode on stage as they wound things in to “Wanted”. The force behind that song is something else, and it beckoned those who had gathered around the stage towards the front for the impressive show that was just getting started.

Alex used Johnnys’ mic for one of the final lines of the track, just because, before Javier knocked out some drum beats to lead them into another action packed tune, “Headshot”. “We are In Memory of Man.” Alex informed the decent sized crowd, before continuing to try to hustle through what ended up being a 36-minute long set.

Those classics from their first EP were peppered in, but now they got back to their newly released full-length with “Something in the Taste”. “…And I wish I could go…” sang Alex, almost whispering at times, before the song roared back to life. “HOME!” he bellowed, throwing a fist in the air, before convulsing towards the end, during which he tripped over the drum kit, losing his balance for just a second, though he never fell.

With the headliners drums already occupying the drum riser, they had to set their kit up on the stage, which didn’t give them much room, but they made it work with ease.

“It’s good to be back at Trees.” remarked Alex, while his band mates started the subsequent track from their self-titled record, “New Eyes”. The song has a nice ebb and flow to it, exploring the bands softer side on the verses, and surging to life on the choruses.

Following it was a somewhat similar song from their first EP. “This song’s about a dream that changed my fucking life.” raid Alex, right before pouring some of his Miller Lite on his head. Chad and Johnny were creating some subtle guitar notes, before Javier began banging about on his kit, starting the amazing “Paper Planes”. “Where will we go when…” sang Alex on the chorus midway through the tune, being accompanied by Marcus, their two voices mixing brilliantly while the band dropped out for this fleeting a capella moment. They kicked it back in quick, though; and as it came to an end, Chad raised his guitar in the air, holding it as high as he could while still being able to strum it.

The flow of those last two songs were pretty good, going from a semi-slow song to one that begins that way, and now that they were back into full on rock mode, they kept the pace up with the darker track, “The Spider”. Alex got pretty into the aggressive drum beats at the end, banging his head to them, while Chad and Johnny knocked out the final chords, before making the seamless switch into “My Sweet”. “I found this down the rabbit hole…” Alex sang on the second chorus, his pristine voice completely taking the spotlight for a moment, as the instruments fell silent, but only for that one line.

Javier then got a little drum solo at the tail end, during which time Alex wrapped the microphone cord around his neck a few times in preparation of their final song. Matt’s skills on the keys were highlighted on “Picture Box”, especially at the start of what is probably the most epic song currently at the bands disposal, and it makes for one helluva way to end a show.

It’s too bad every concert can’t get off to this good a start, and it goes to show how much other talent was on this bill, when a band like In Memory of Man (who can and does headline) was giving the opening slot.

They owned it, though, being both precise and calculated, while giving themselves up completely to the Rock ‘n’ Roll spirits who coursed through their veins.

Next up on their calendar is a couple of album release shows. Sure, their new record has been available for a bit, but these shows will be for the release of a limited run of vinyl copies. One is March 22nd at Lola’s Saloon in Fort Worth, while their Dallas dates is slated for April 5th at Double Wide. They’ll also be back in Fort Worth on April 26th, this time at The Grotto.

If you want to sample In Memory of Man’s music, check out their REVEBRNATION PAGE and download their first EP for free. If you like, go buy their new album in iTUNES, or for you vinyl collectors, pick up a copy at one of the shows mentioned above.


Werewolf Therewolf was the second band up, and I ended up missing them completely, due to being out on the patio chatting with different people. In fact, I even missed the first little bit of The Raven Charter’s set, ‘cause time simply got away from me.

I think it safe to assume they began with the instrumental “Survival Kit”, as is their typical fashion, and has been for some time, now. When I walked in they were deep into a new song that hasn’t been played too much live. I wish I had caught more of it, but maybe next time. I enjoyed what I heard, though, and it served as more proof that the new stuff they’ll soon be laying down is their best yet.

They never took much time in between songs, and soon started the title track from their current EP, “Kidnapping”. I really enjoy the way they’ve been doing the past few times I’ve seen them, with lead vocalist Garrett Bond backing up singer and guitarist Daniel Baskind for the first line or two of each verse, before giving it all up to Daniel. The chorus of “Be quiet and don’t move, and we promise not to harm you…” belongs all to Garrett, though.

They followed it up with another semi-new one, the sample track for “No Direction” starting first, before Daniel and fellow guitarist Brandon Bond, along with drummer, Brian Christie, bassist Anthony Sosa and keyboardist Erik Stolpe laid their instruments over it. Brandon and Daniel (especially Brandon) rocked out on the instrumental break halfway through the song, slamming their guitars in a downward motion and quite aggressively, all in synch with Brians’ drumming.

Next came another new one, and I’m pretty certain I’m repeating myself when I say this is my new favorite song from The Raven Charter. “This won’t last forever; we’re on borrowed time. If this is our last night ever, I’m gonna make you mine.” Garrett shouts on the chorus; the music bed and his faster paced singing giving it a cool urgent vibe. Anthony killed it during that one, proving that as far as bassists go, he’s one of the top ones, and afterwards Garrett joked a bit with the massive crowd. “That song’s called Borrowed Time…” he said, adding, “…’Cause we only say that like eight fucking times.” He was enjoying basking in all the love they were already getting, and waited just a second for his band mates to get ready for the next song. “Oh, shit!” he suddenly exclaimed, before hurrying to get an acoustic guitar.

The sinful “Freela Deela” was one of their songs that had some co-singing going on, with some exceptional two to three-part harmonies even thrown in at times, and afterward, Garrett thanked Trees for having them out. “Bullshit, you like it more than that!” he retorted after not getting a loud enough reaction.

Those last two songs have at least been released as singles, but now they got back to some of the brand new material, doing one of their slick sounding songs that sees Erik playing a slow, lovely part on the keyboard midway through, giving the impression the song is over, before it kicks back in hard. Garrett even busted out his harmonica for a short stint on the track, and during a break, Erik picked up an acoustic guitar in preparation of the next song.

“Let me find this on the pad…” Garrett said while searching through his vocal effects pad. He noted this next song was one they hadn’t done in awhile, and that could mean only one thing, and I was excited by it. It had been some time since I last heard “Unfolding”, and Garrett wasn’t quite ready when they started it, missing singing the first word, but that was it. “I’m on my way to my destiny…” he crooned, while Erik stepped up to the forefront of the stage, plucking the strings of the acoustic.

There set had passed by too quickly (or maybe I’m just used to seeing them play a little longer), because now, they were on their final song, which was none other than “Denton, TX”. Anthony viciously stomped his feet on the stage during the brief break before Garrett belted out, “
Now I’ve gone and done it, so point the finger at me…”, as Erik lifted his keyboard of the stand and held it up in the air for all to see.

In some ways, this was the best show I’ve seen them do recently (and by that I mean out of the two other TRC shows I’ve seen this year). Part of that was probably because this was fairly high profile show. Not only were they playing Trees, they were also opening for their good friends in Nothing More, and you could tell they stepped it up from the A game that usually bring in the first place.

The show this night just had a more polished feel to it then even those others in question, and by the time they were done, they had the crowd eating out of the palm of their hand.

They’re just more of a unique rock band, from the blend of harmonies found on some songs, to just the interesting twist on rock music, and their new record is going to turn some heads. I’m not saying it’ll be on a national scale (though that would be great), but I sense it will.

With recording starting next month, they’ll be laying low on the shows for awhile, and March 29th at Rubber Gloves in Denton will be their next show (they also have a June 6th date booked there). As of right now, they also only have one show in the month of April and one in the month of May, and both will be at Tomcats West in Fort Worth (April 18th and May 4th). They also have a Dallas gig slated for June 28th at The Boiler Room.

Head over to their REVERBNATION PAGE to download their two newest singles for free, and if you like that, then check out their two EP’s in iTUNES. They should whet your appetite for their debut full-length that will be dropping later this year.

Now it was time for the band everyone was waiting for, Nothing More (and if you want my review of their show, it was an exclusive for On Tour Monthly, and can be found HERE.)

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